Pharrell Williams, Chad Hugo in legal dispute over “Neptunes” name rights

Pharrell Williams, Chad Hugo in legal dispute over “Neptunes” name rights

Pharrell Williams and Chad Hugo are currently in a legal dispute over The Neptunes name.

According to a filing obtained by Billboard, Hugo is accusing Williams of trying to obtain sole rights to the legendary songwriting and production duo’s name.

“Throughout their over thirty year history, [Hugo] and Williams agreed to, and in fact, have divided all assets,” Hugo’s attorney, Kenneth D. Freundlich alleged in documents submitted to a federal tribunal.

Freundlich said that Williams’ holdings company, PW IP Holdings, submitted three separate applications to trademark “The Neptunes” name in 2022. Williams is accused of having “knowingly and intentionally” applied without Hugo’s input, despite not having “unilateral authority to register the trademarks.”

“By ignoring and excluding [Hugo] from any and all applications filed by applicant for the mark ‘The Neptunes,’” the filing said Williams “has committed fraud in securing the trademarks and acted in bad faith.”

Hugo’s lawyer also said that Williams and his team had been contacted “repeatedly” about the issue, during which they “admitted that [Hugo] is equal co-owner of the trademarks.” However, Hugo claimed that Williams did not fulfill his promise of splitting the trademark due to unspecified business terms, which would cut Hugo out of equal control and compensation.

During the aughts, Williams and Hugo solidified themselves as one of the music industry’s most sought-after producers, producing hit singles like Snoop Dogg‘s “Drop It Like It’s Hot” and Gwen Stefani‘s “Hollaback Girl.”

The FADER has yet to hear back from Freundlich’s office on behalf of Hugo. Meanwhile, representatives for Williams said that he was “surprised” by the filing.

“We have reached out on multiple occasions to share in the ownership and administration of the trademark and will continue to make that offer,” they continued. “The goal here was to make sure a third party doesn’t get a hold of the trademark and to guarantee Chad and Pharrell share in ownership and administration.”

Read Billboard‘s entire report on The Neptunes dispute here.

As 1994 crime bill turns 30, Secure DC Act fuels worry of repeated racial harms

As 1994 crime bill turns 30, Secure DC Act fuels worry of repeated racial harms

The measures in the anti-crime bill raise concerns about its adverse effects on Black residents in the District of Columbia.

In a few weeks, the D.C. Council will undertake a final vote on legislation that would establish new laws and policies intended to address the rise of homicides and other violent crimes in the nation’s capital. The Secure D.C. Act, which was unanimously supported by the council in a preliminary vote, seeks to address public safety concerns in Washington, D.C. However, the provisions in the anti-crime bill raise concerns about adverse effects on the sizeable Black population in the district. “The Secure D.C. Act, to a very minor degree, makes some investments and adjustments that make it easier for us locally to meet some of the government’s responsibilities, in terms of public safety,” said Markus Batchelor, national political director at People For the American Way and a candidate for the D.C. Council seat representing Ward 8. He added: “I don’t think overall the Secure D.C. Act is what it’s being billed as.”

The comprehensive public safety omnibus bill contains 100 measures, including provisions that would give the police chief authority to declare “drug-free zones” prohibiting the congregation of two or more people on public property, extend pretrial detention for adults and youth accused of violent crimes, and fine transit passengers who fail to provide their real name and address to issue a notice of infraction. The legislation also would ban the wearing of face masks to commit a crime or threaten another person, enhance sentencing for crimes committed against elderly and other vulnerable adults, plus expand law enforcement’s ability to engage in vehicle pursuits of a suspect who poses an “imminent threat” to safety. “I don’t think it effectively addresses the need to hold the guilty accountable,” Batchelor said of the crime bill. “It’s full of pretty dangerous proposals that threaten our civil liberties that unnecessarily put the innocent at risk.” Washington, D.C., elected leaders, however, have championed the Secure D.C. Act as vital to keeping streets safe. Mayor Muriel Bowser, who has taken political hits for the district’s crime, urged the 13-member council to “act swiftly” and hold its needed second vote this month. “We must work with urgency to implement commonsense legislation that will rebalance our public safety ecosystem [and] make our communities safer,”

Bowser said in a statement on X. D.C. Council member Brooke Pinto, who introduced the Secure D.C. Act, said she believes the bill “will help turn the tide on the crime trends that have overwhelmed our communities.” Pinto said the council is scheduled to vote on the Secure D.C. Act on March 5. However, the bill approved during the first vote may not be the final legislation, as the council could still make additional amendments before passing it into law. Advocates are hoping there’s enough time to persuade council members to make needed adjustments to avoid causing greater harm to Black residents, who have historically been over-policed and over-incarcerated. The Council Office of Racial Equity, an office within the D.C. Council, explained in a report last month that several provisions of the crime bill — such as expanding minimum sentencing for organized retail theft and theft of a car key to steal a nearby vehicle — would “exacerbate” racial inequities for Black residents.

The office also said several provisions are “not substantiated by evidence-based research.” “Further, research shows that several of these provisions are especially harmful to Black residents who are involved, or likely to be involved, with the criminal legal system,” the report reads. Batchelor, who expressed concerns about the provision to establish drug-free zones, said, “The danger that it poses is that it does really provide a slippery slope for these abuses that we see in these policies all the time when we talk about issues like stop and frisk, when we talk about issues of over-policing in communities of color and communities that are poor.” The D.C. Council hopeful said the district already has existing laws that allow the police chief and mayor to combat illegal drug activity. “If we want to enforce the drug laws in our city, we have every capability to do that,” Batchelor contended. “But we don’t need to create new laws to do that.” The city’s crime issues, he said, are a result of insufficient investments in communities that are driving “the largest gaps in income and wealth, in health outcomes, in life expectancy [and] in joblessness.” Crime is also a hot-button political issue nationally. As President Joe Biden and national Democrats seek reelection to office this November, they are fighting against accusations from Republicans that their policies are leading to more violence and criminal activity. Last year, Biden signed a bill pushed by Republicans and supported by some Democrats overturning reforms to the district’s criminal code established by the council –  like lowering penalties for carjackings – to the ire of district residents and advocates for statehood.

President Joe Biden and his administration did not comment directly on the Secure D.C. Act, but the White House press secretary told theGrio that Biden “respects D.C.’s right to pass measures that strengthen both public safety and public trust.” (Photo: Drew Angerer/Getty Images)

When asked if the White House had a position on the Secure D.C. Act, press secretary Karine Jean-Pierre told theGrio that while the administration would not comment directly on the proposed legislation, the president “respects D.C.’s right to pass measures that strengthen both public safety and public trust.” “We’re going to let D.C. go through their process … And we’re going to do everything that we can to continue to lower crime here in the U.S.,” Jean-Pierre noted. How certain criminal laws intended to end crime and their potentially harmful impacts on Black and brown communities in Washington and elsewhere has been a growing concern for area advocates and progressive policymakers, who have long argued that data shows increased policing and sentencing do not end the existence of crime. Candice C. Jones, a violence intervention expert who serves as president and CEO of the Public Welfare Foundation, told theGrio that lawmakers should learn from the controversial Violent Crime Control and Law Enforcement Act of 1994 — best known as the 1994 crime bill — which was signed into law by President Bill Clinton. “What we see in research is that we are literally still paying, pun intended, for the choices that we make,” said Jones, “and they didn’t make us safer.”

The legislation, which was passed 30 years ago, was the largest crime bill enacted in U.S. history, authorizing funding for 100,000 new police officers, $9.7 billion in funding for prisons, and mandated life imprisonment for a third violent felony, also known as the three-strikes rule. Ironically, Biden, then a senator from Delaware, drafted the Senate version of the 1994 crime bill. “On the basis of that federal legislation, many state and local jurisdictions replicated the things proposed,” said Jones, who said the wave of laws came with a “tenor of getting tougher on crime, increasing penalties [and] increasing incarceration.” While the criminal measures were intended to end crime, she maintained, “when you look historically, that is not what it has yielded.” In order for lawmakers and policymakers to truly make a difference in public safety, according to Jones, leaders have to “target communities and people at the highest risk” by offering them something “tangible,” like cognitive behavioral therapy, access to jobs, “deep investments” in education, “supportive services” for youth and young adults and access to small business loans. “Something that feels like a real incentive to make different life choices than they had,” she explained. “The kinds of investments that we know we put into affluent communities every day to ensure those communities thrive.” “For a long time,” said Jones, “policymakers haven’t done it in communities of color in a meaningful way.”

The post As 1994 crime bill turns 30, Secure DC Act fuels worry of repeated racial harms appeared first on TheGrio.



Taraji P. Henson Says She’s “Tired” Of Being Underpaid & Shuts Down Oprah Feud Rumors, Social Media Reacts

Taraji P. Henson Says She’s “Tired” Of Being Underpaid & Shuts Down Oprah Feud Rumors, Social Media Reacts

Source: Robin L Marshall / Getty

Actress Taraji P. Henson has been a major publicity run with the cast of The Color Purple and for most of it, the actresses were expressing a united front of feel-good Black girl magic. But that’s until Gayle King, interviewing Henson, Danielle Brooks and director, Blitz Bazawule, asked her about a rumor that she wanted to quit acting.

Turns out, King’s research was good. Henson became visibly upset. After pausing, she answered the question affirmatively and said the major reason was that she was tired of fighting the battles related to compensation.

“I’m just tired of working so hard, being gracious at what I do, getting paid a fraction of the cost,” she told King as Brooks moved to comfort her. “I’m tired of hearing my sisters say the same thing over and over.”

She added, “It seems every time I break another glass ceiling, when it’s time to renegotiate, I’m at the bottom again like I never did what I just did. “What is that telling me?” she said, starting to cry. “If I can’t fight for them coming up behind me, then what the f-ck am I doing?”

Henson says that she has been historically underpaid throughout her two-decade career. She famously said that she was only paid $150K for her Oscar-nominated role in the 2008 Brad Pitt movie The Curious Case of Benjamin Button.

Henson has shared that she had to audition for The Color Purple despite a stellar movie and TV career that includes critical and commercial success in Baby Boy, Hustle & Flow, Hidden Figures, and as the star of the TV show Empire. And she’s not the only one who thinks that Hollywood’s compensation system is biased.

Terrence Howard, her Empire co-star is currently suing his agency CAA, saying that he was paid less for his role on the show than white actors like Mad Men‘s Jon Hamm and others.

Henson said in another interview that she feels she’s starting over on each project.

“I’m really getting tired of Black women having the same story,” she said in another interview on a SAG/AFTRA panel.”It breaks my heart.It’s like every time you achieve something really incredible, the industry looks like its a fluke. Like that was like some one-time thing. So you fall back to the bottom and you gotta negotiate and fight tooth and nail to get what you made the last time. Where’s my raise? I haven’t seen a raise in my income since Proud Mary.


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Henson said she almost didn’t take the role as Shug Avery in The Color Purple for those reasons. Her comments were flooded by fellow actresses Keke Palmer, Gabrielle Union, Halle Berry and others who cosigned her struggles and lamented having to fight for their quotes as well.


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But Henson quickly denied she harbored any animosity toward Winfrey after a TikTok post seemed to show Winfrey ignoring her at a photo shoot.

At the photo op in New York City, it appeared from the footage shot on the scene that Oprah ignored Henson and then moved as far away from her as she could to take the photo. While Henson hasn’t commented on what exactly happened and if the footage was misleading in any way, she did praise Winfrey on Instagram.

“Ms. OPRAH has been nothing less than a steady and solid beacon of light to ALL OF THE CAST of The Color Purple!!!” Henson posted.


She told me personally to reach out to her for ANYTHING I needed, and I did!


Thank You Ms. @OPRAH For ALL That You Do 💜💜💜


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See how social media is reacting to Taraji’s honesty below.

The post Taraji P. Henson Says She’s “Tired” Of Being Underpaid & Shuts Down Oprah Feud Rumors, Social Media Reacts appeared first on Black America Web.

VIDEO: Scarface Delivers an Intimate and Powerful Performance on NPR’s Tiny Desk Concert

VIDEO: Scarface Delivers an Intimate and Powerful Performance on NPR’s Tiny Desk Concert

Scarface Delivers an Intimate and Powerful Performance on NPR’s Tiny Desk Concert

NPR’s Tiny Desk Concert series has long been a platform for showcasing the raw and unfiltered talent of musicians across various genres. In a recent and highly anticipated episode, legendary hip-hop artist Scarface took center stage, delivering a performance that left a lasting impression on both fans and newcomers alike.

An Icon in an Intimate Setting:

Scarface, whose real name is Brad Jordan, is a pioneer in the hip-hop industry, known for his influential solo career and his role as a founding member of the iconic group Geto Boys. His appearance on Tiny Desk marked a departure from the grand stages often associated with hip-hop performances, offering fans a rare glimpse into the artist’s skill and storytelling prowess in an intimate setting.

Unplugged and Unfiltered:

The Tiny Desk Concert series is renowned for its stripped-down and acoustic performances, allowing artists to showcase their work in a more personal and unplugged manner. Scarface embraced this setting, delivering a set that highlighted the raw emotion and lyrical depth that has defined his career.

A Journey Through Classics:

The performance was a journey through Scarface’s extensive catalog, featuring renditions of classic tracks that have become synonymous with the artist’s legacy. From the gritty narratives of “Mind Playing Tricks on Me” to the introspective storytelling of “I Seen a Man Die,” Scarface’s setlist resonated with the authenticity that has endeared him to hip-hop enthusiasts for decades.

Intimate Connection with the Audience:

What set Scarface’s Tiny Desk Concert apart was not just the quality of the music but the intimate connection he forged with the audience. Between songs, Scarface shared anecdotes, reflections, and personal insights, creating a genuine and unfiltered experience that transcended the traditional concert format.

A Reminder of Hip-Hop’s Rich Legacy:

Scarface’s Tiny Desk performance served as a powerful reminder of hip-hop’s rich and diverse legacy. In an era often dominated by trends, his timeless artistry and lyrical mastery shone brightly, reaffirming the lasting impact of his contributions to the genre.


Scarface’s appearance on NPR’s Tiny Desk Concert series was a testament to the enduring power of his music. In the intimate confines of this unique setting, he proved that the essence of hip-hop lies not only in grand stages and elaborate productions but in the raw, unfiltered talent of its artists. As fans eagerly await the release of the Tiny Desk episode, Scarface’s performance is sure to be remembered as a standout moment in the series’ storied history.